Leermond's music is defined by the composer himself (one half of the German duo Die Schatten) as "wandering through time and the senses" - and Castanea is an album that illustrates this description in the most representative manner. Deeply introspective and thought-provoking, the sound flirts with an assortment of styles and genres, claiming its own particular "signature" through the creative assimilation of its references.
Each album by Arne Pahlke is a new adventure in style and a personal auto da fe. In Heimweh he embarks on a journey of return to his own sources by making direct and indirect references to his first albums, Dunkel and Abgrundtiefen, whose publication marked him as a powerful and singular poetic voice.
Golden Hyphen is the latest album by Nehoryn, accompanied by a lovely printable booklet that contains the song lyrics and images eloquently illustrating the artist's universe, from the deft confrontation of colour with black & white to the touches of light bursting through the dominant darkness.
A slideshow video clip of sorts for the Turquoise of Winter instrumental by Dead Admiral (from the album Queen of Clubs, 2009).
A small anthology scene collection from famous, less famous, and even infamous innovative and influential films through the decades.
13 moments of death by The Gloomster (yet another project by the poet Arne Pahlke) is described by the author himself as the "soundtrack" to a "film" depicting the many different ways to die. Death by accident, recklessness or illness, by law (execution), by the hand of a murderer or by one's own hand. Being killed in a war is a serious possibility as well, but that would be an entirely different story and what mostly interests Arne here is, I believe, the view of death as a private, individual experience - a more or less unpredicted occurrence in the routine of an otherwise peaceful, or at least ordinary life (with the obvious exception of Long way to the electric chair) - though "ordinary" is actually a term too generalised to apply to the vicissitudes of each particular person's way of living.
In the materialistic, hypocritical apathy of our century, Ralph Buckley is one of those stubborn voices of protest - a modern troubadour of freedom (which in itself has ended up being a fairly relative concept, especially considering the way this world has turned out and what it threatens to become in the future).
Solanum or "nightshades" is the generic name for a variety of plants most of which are terminally toxic; in particular, black nightshade (Atropa Belladonna in Latin) is a subshrub of the Solanaceae family, whose poison is used in medicine to enlarge the pupils of the eyes - an effect provoked naturally by darkness itself, as vision strives to adapt to it.
Sensitive acoustic rock ballads with well-written lyrics and this slightly scorched, unpretentiously appealing voice that conveys pure and sincere emotion. The title, Spanish for "wretched one", adds a touch of mystery but also determines the entire album's tone and mood.
A beautiful and gripping title and an alternation between darker and luminous, tender and energetic themes, with the eponymous track being one of the highlights of the album. The reference to a "canonically" sinister literary character such as Lady Macbeth could not be better accompanied than by blood and roses, both symbols of femininity and metaphors for the dangerous facets of the human soul.
