T-Ho: Fit to Mold

A feathery touch of modern nostalgia

In a world where the ease and safety of ephemeral standards imposes a more and more alarming uniformity in artistic expression, inspiration drawn from purer, time-resisting sources can make a notable difference. South Korea based singer/songwriter Tim Haagenson (T-Ho) from Minneapolis proves that when stylistic "loans" and influences from the past are dexterously molded into a modern perspective, they can play a crucial part in the creation of a personal signature.

Juan Shaman: Solos y Azules

Alone and blue

I had first listened to Juan Shaman a few years ago, when his album Reevolucion was published on Jamendo. I was impressed by his very characteristic voice and the dark, rhythmic melodies of his songs, while his lyrics reminded me a little of Lorca's poetry - highly evocative, sometimes surreal, but also close to the pure lyrical and audacious imagery of traditional songs.

John Peter B.: Origami

Modular, multifold elegance

Symphonic arrangements and experimental researches in an album featuring unexpected piano harmonies, quasi-minimalistic stings and winds and an almost outworldly choral part, as well as a couple of more rhythmic tracks where the tendency of stylistic exploration is significantly prominent.

Disciples of Bob: New Roman Tragedy

Decline and fall of the New Roman empire(s)

It was the band name that first caught my eye: intrigued, I ran a search for "Disciples of Bob" - which yielded a few unrelated and inconclusive results, seemingly having nothing to do with the little musical pearl I was listening to; or, on second thoughts, maybe they were all connected with it in some way. Whatever the case, New Roman Tragedy remained a gripping collection of songs worthy of an attentive listen, or many.

SHAMATRONIC: Trip solombre

Orpheus in the Underworld

Trip solombre is a genuinely original album on all aspects. Its greatest asset rests in the impressively powerful, flexible and almost weirdly beautiful voice of the singer, tracing an occult journey on engrossing sonorities accented by dark, ritualistic hymns and incantations.

Lunar Bed: Battery Farm

Neal and Jack and a bitter reflection

An acoustic mini album with quite unusual melodies (in which I discovered different things each time I listened to them), interesting lyrics and a beautiful, very distinctive voice.

Leermond: Castanea

Sunflower galaxy

Leermond's music is defined by the composer himself (one half of the German duo Die Schatten) as "wandering through time and the senses" - and Castanea is an album that illustrates this description in the most representative manner. Deeply introspective and thought-provoking, the sound flirts with an assortment of styles and genres, claiming its own particular "signature" through the creative assimilation of its references.

Arne Pahlke: Heimweh

Subterranean homesick blues

Each album by Arne Pahlke is a new adventure in style and a personal auto da fe. In Heimweh he embarks on a journey of return to his own sources by making direct and indirect references to his first albums, Dunkel and Abgrundtiefen, whose publication marked him as a powerful and singular poetic voice.

Nehoryn: Golden Hyphen

The hyphenation of attracted opposites

Golden Hyphen is the latest album by Nehoryn, accompanied by a lovely printable booklet that contains the song lyrics and images eloquently illustrating the artist's universe, from the deft confrontation of colour with black & white to the touches of light bursting through the dominant darkness.

The Gloomster: 13 moments of death

On the pathway of doomed souls

13 moments of death by The Gloomster (yet another project by the poet Arne Pahlke) is described by the author himself as the "soundtrack" to a "film" depicting the many different ways to die. Death by accident, recklessness or illness, by law (execution), by the hand of a murderer or by one's own hand. Being killed in a war is a serious possibility as well, but that would be an entirely different story and what mostly interests Arne here is, I believe, the view of death as a private, individual experience - a more or less unpredicted occurrence in the routine of an otherwise peaceful, or at least ordinary life (with the obvious exception of Long way to the electric chair) - though "ordinary" is actually a term too generalised to apply to the vicissitudes of each particular person's way of living.

Ralph Buckley: Mary Magdalene & The Song of Solomon

An armful of modern protest ballads

In the materialistic, hypocritical apathy of our century, Ralph Buckley is one of those stubborn voices of protest - a modern troubadour of freedom (which in itself has ended up being a fairly relative concept, especially considering the way this world has turned out and what it threatens to become in the future).

Die Schatten: Solanum

Black nightshade

Solanum or "nightshades" is the generic name for a variety of plants most of which are terminally toxic; in particular, black nightshade (Atropa Belladonna in Latin) is a subshrub of the Solanaceae family, whose poison is used in medicine to enlarge the pupils of the eyes - an effect provoked naturally by darkness itself, as vision strives to adapt to it.

Melanculia: maldita

Eternal melancholy

Sensitive acoustic rock ballads with well-written lyrics and this slightly scorched, unpretentiously appealing voice that conveys pure and sincere emotion. The title, Spanish for "wretched one", adds a touch of mystery but also determines the entire album's tone and mood.

Die Schatten: Yggdrasil

Half-life, half-darkness

Yggdrasil is, according to Norse mythology, the "world tree" that forms the link between the heavens and the sources of pure cold water and wisdom. A brilliant title for a musical work whose "branches" and "roots" extend into the many different aspects of our world - the heaven/hell of everyday life; the fragility of human relationships; the frightening night of the soul; and last but not least, the potential existence of intelligent life in outer space.

Melchiades - Kouki: 3908

Acid post-apocalypse

3908 is the fruit of an unexpected, if not improbable, collaboration between two artists whose diametrically opposite musical temperaments promise an intriguing (at least) auditory experience. The extremely minimalistic cover and laconic, enigmatic title do a really good job at disguising the tumultuous richness hidden within. This is an album that should by all means be seen - and most importantly, listened to - in conjunction with the personal view of art expressed by each one of its contributors.

Melnar Tilromen: Valley of the Withered River

Boris Christoff meets Dead Can Dance

Looking for Celtic/Gothic rock on behalf of a friend (and having received a few very nice recommendations in private, for artists on and outside Jamendo) I discovered this beautiful surprise.

Arne Pahlke: flugUNtauglich

Walking on wings

And just when one might have thought that the variability and perfection of form in Suchen would not be easily surpassed, or even equalled, this new album comes to subvert this idea and give an even more intriguing dimension to Arne's already multifaceted work...

Naadir: Synapticollapse

The dynamics of reaction

A four-song EP of energetic funk rock, flirting with punk and jazzy elements and with some beautiful melodic moments. The songs denounce the injustices of life and the vanity of the world, with vigorous, passionate vocals and lyrics that manage to be angry and sensitive at the same time.

Der tollwuetige Kasper: Manchmal kommen sie wieder

God lives nowhere

The new album by Der Tollwuetige Kasper (Arne Pahlke's side project) "welcomes us into our lives" - in a life that we shouldn't feel too happy or privileged to be living... I will not refer to the technicalities concerning this particular musical style - others have done that much better than I ever could - but I will approach this work subjectively and emotionally, based on my impressions after repeated listens of Manchmal kommen sie wieder.

Arne Pahlke: Suchen

Another face of Arne Pahlke

First of all, the cover is wonderful - both the composition and the colours set perfectly the mood for what is about to ensue... And what ensues is one more panorama of Arne Pahlke's familiar themes and stylistic explorations - this time with more emphasis on the voice and the acoustic arrangements, relying on guitars and the discreet presence of virtual instruments for the most part.