Nehoryn: Memory's Garden

Tripping down memory lane

A composer of prodigious talent and impressive musical inventiveness, Nehoryn offers a "retrospective" of his earlier compositions in a 12-track collection by the eloquent title of Memory's Garden. It is always exciting to observe how an artist's work has evolved with time, what elements and influences determined its development, which of them were left behind for good and which were the crucial ones to remain and mature into something even richer and more accomplished.

Fanfan l'elephant: Toi

Luminous elation in pastel tones

An appetising single of ambient electro, inviting us to a voyage of the heart and the spirit; the melodic lines, percussions/drums and sound effects form a universe of stark beauty, soothing for the ear and purifying for the soul.

vermillia: under the frozen rain. waiting for a rainbow

The meaning and beauty of sorrow

Vermillia is one of those one-of-a-kind artists who pursue their own vision regardless of genres and classifications. A musical as well as visual concept - concise collections of intensely evocative instrumentals, with very pretty hand drawn covers that depict Anime style female figures and faces.

Oscar Fantoche: Fantoche Orchestra

First and last waltz

An odd, haunted waltz suspended in mid-air through the mist. A slow oriental melody snaking its way along a lazy counterpoint of percussions and bassline. A fragmented, intoxicated march flirting with languorous violins.

Urzhia-Kan: Atlantik

Profundity in surface

A delicate mermaid choir, electric guitars, synth and an ostinato drum groove echoing the rhythm in Ravel's Bolero: the eponymous opening track of Urzhia-Kan's second album, Atlantik, promises an engaging and adventurous musical experience.

Juan Shaman: Solos y Azules

Alone and blue

I had first listened to Juan Shaman a few years ago, when his album Reevolucion was published on Jamendo. I was impressed by his very characteristic voice and the dark, rhythmic melodies of his songs, while his lyrics reminded me a little of Lorca's poetry - highly evocative, sometimes surreal, but also close to the pure lyrical and audacious imagery of traditional songs.

Aufklarung: My mistress eyes

In the end is the beginning

Five "cornerstone" poems by authors whose work marked Europe's (and the whole world's) literary history - the famous Shakespeare sonnet My Mistress' Eyes Are Nothing Like the Sun, Wordsworth's The Solitary Reaper and She Dwelt Among the Untrodden Ways, Home Is Where One Starts From by T. S. Eliot (from the Four Quartets) and When You Are Old by W. B. Yeats - set to music in an ambitious yet unpretentious album, merging past and modern resonances in a peculiarly attractive mix.

John Peter B.: Origami

Modular, multifold elegance

Symphonic arrangements and experimental researches in an album featuring unexpected piano harmonies, quasi-minimalistic stings and winds and an almost outworldly choral part, as well as a couple of more rhythmic tracks where the tendency of stylistic exploration is significantly prominent.

Disciples of Bob: New Roman Tragedy

Decline and fall of the New Roman empire(s)

It was the band name that first caught my eye: intrigued, I ran a search for "Disciples of Bob" - which yielded a few unrelated and inconclusive results, seemingly having nothing to do with the little musical pearl I was listening to; or, on second thoughts, maybe they were all connected with it in some way. Whatever the case, New Roman Tragedy remained a gripping collection of songs worthy of an attentive listen, or many.

SHAMATRONIC: Trip solombre

Orpheus in the Underworld

Trip solombre is a genuinely original album on all aspects. Its greatest asset rests in the impressively powerful, flexible and almost weirdly beautiful voice of the singer, tracing an occult journey on engrossing sonorities accented by dark, ritualistic hymns and incantations.

Lunar Bed: Battery Farm

Neal and Jack and a bitter reflection

An acoustic mini album with quite unusual melodies (in which I discovered different things each time I listened to them), interesting lyrics and a beautiful, very distinctive voice.

Leermond: Castanea

Sunflower galaxy

Leermond's music is defined by the composer himself (one half of the German duo Die Schatten) as "wandering through time and the senses" - and Castanea is an album that illustrates this description in the most representative manner. Deeply introspective and thought-provoking, the sound flirts with an assortment of styles and genres, claiming its own particular "signature" through the creative assimilation of its references.

Arne Pahlke: Heimweh

Subterranean homesick blues

Each album by Arne Pahlke is a new adventure in style and a personal auto da fe. In Heimweh he embarks on a journey of return to his own sources by making direct and indirect references to his first albums, Dunkel and Abgrundtiefen, whose publication marked him as a powerful and singular poetic voice.

Nehoryn: Golden Hyphen

The hyphenation of attracted opposites

Golden Hyphen is the latest album by Nehoryn, accompanied by a lovely printable booklet that contains the song lyrics and images eloquently illustrating the artist's universe, from the deft confrontation of colour with black & white to the touches of light bursting through the dominant darkness.

The Gloomster: 13 moments of death

On the pathway of doomed souls

13 moments of death by The Gloomster (yet another project by the poet Arne Pahlke) is described by the author himself as the "soundtrack" to a "film" depicting the many different ways to die. Death by accident, recklessness or illness, by law (execution), by the hand of a murderer or by one's own hand. Being killed in a war is a serious possibility as well, but that would be an entirely different story and what mostly interests Arne here is, I believe, the view of death as a private, individual experience - a more or less unpredicted occurrence in the routine of an otherwise peaceful, or at least ordinary life (with the obvious exception of Long way to the electric chair) - though "ordinary" is actually a term too generalised to apply to the vicissitudes of each particular person's way of living.

Ralph Buckley: Mary Magdalene & The Song of Solomon

An armful of modern protest ballads

In the materialistic, hypocritical apathy of our century, Ralph Buckley is one of those stubborn voices of protest - a modern troubadour of freedom (which in itself has ended up being a fairly relative concept, especially considering the way this world has turned out and what it threatens to become in the future).

Die Schatten: Solanum

Black nightshade

Solanum or "nightshades" is the generic name for a variety of plants most of which are terminally toxic; in particular, black nightshade (Atropa Belladonna in Latin) is a subshrub of the Solanaceae family, whose poison is used in medicine to enlarge the pupils of the eyes - an effect provoked naturally by darkness itself, as vision strives to adapt to it.

Melanculia: maldita

Eternal melancholy

Sensitive acoustic rock ballads with well-written lyrics and this slightly scorched, unpretentiously appealing voice that conveys pure and sincere emotion. The title, Spanish for "wretched one", adds a touch of mystery but also determines the entire album's tone and mood.

Project System 12: Blood and Roses for Lady McBeth

The Dark Lady, the blood and the roses

A beautiful and gripping title and an alternation between darker and luminous, tender and energetic themes, with the eponymous track being one of the highlights of the album. The reference to a "canonically" sinister literary character such as Lady Macbeth could not be better accompanied than by blood and roses, both symbols of femininity and metaphors for the dangerous facets of the human soul.

Nehoryn: Cyberfire Inside

Fiery the angels fall

There is no "immaculate conception" in art any more, but on the other hand there is an abyssal gap between this undeniable fact and the currently dominant mentality in the music industry, according to which everything new that is created has to be an almost identical copy of something already known and "officially recognised", so that it "has the right" to fit into a strictly defined category or genre. But genuine music (and art in general) is, and should be, what defines, redefines and/or defies the existing genres and categories; totally indifferent to the established "rules", it forms its own if necessary, only to do away with them when they are no longer needed.