Of The I: Twelve Sequences of a Storm (Demo-noid E.P.)

Strange and beautiful

Beautiful, strange sounds creating a dreamy ambience, with an alternation of melodic repetition and intense rhythm among the tracks.

Morpheus: Rebis

Otherworldly experience

An interesting, "exorcising" journey into strange echoing dreamscapes and the subconscious, with sounds and voices that seem like coming from inside the listener's own head.

20th Century Poetry

The latest (and perhaps the last, but not least) turning point

This last century has been one of the world's most decisive eras. Progress in all fields has been lightning fast and spectacular - another Renaissance, whose technologically "upgraded" alchemy has changed the face of the earth radically and irrevocably. And of course, art and poetry had to reflect all the unavoidable vicissitudes, while also keeping an eye on its equally inescapable archetypal foundations.

Invitation au Voyage

A poetic voyage around the world

Folk or formal, classical or modern, rhymed or in free verse, idyllic or melancholy, from any country and in any language, poetry is the most reliable vehicle for a dream trip through time and space, in the known and unknown universe.

Federico Garcia Lorca

The Sonnets to His Dark Love

The Sonnets to His Dark Love (Sonetos del Amor Oscuro - written in 1936 and published posthumously, in 1983) are Lorca's last poetic work, inspired by the style and themes of San Juan de la Cruz, Shakespeare and Gongora. They are his personal statement about love and poetic art, made even more poignant by the fact that he was arrested and executed by his country's dictatorial government the very same year the poems were written. The Sonnets are therefore not a complete work, cut horifically short by the poet's unjust and untimely death at the age of 37.

Taming the Infernal Machine #4

Transforming the proverbial frog into a space technology prince

The purpose of this and the following articles is to provide a few (hopefully helpful) answers to a number of questions troubling the users of personal computers. Let it be made clear from the very beginning that I claim to be no qualified technician, nor comfortable enough with the more complex workings of the Infernal Machine so as to assume responsibility for any misunderstanding or erroneous use of the information given below.

Taming the Infernal Machine #3

Learning the nature of the beast; or, how to prevent those gruesome fatalities

The purpose of this and the following articles is to provide a few (hopefully helpful) answers to a number of questions troubling the users of personal computers. Let it be made clear from the very beginning that I claim to be no qualified technician, nor comfortable enough with the more complex workings of the Infernal Machine so as to assume responsibility for any misunderstanding or erroneous use of the information given below.

Taming the Infernal Machine #2

Killing Outlook Express

The purpose of this and the following articles is to provide a few (hopefully helpful) answers to a number of questions troubling the users of personal computers. Let it be made clear from the very beginning that I claim to be no qualified technician, nor comfortable enough with the more complex workings of the Infernal Machine so as to assume responsibility for any misunderstanding or erroneous use of the information given below.

Taming the Infernal Machine #1

MS Office & the RVP mystery

The purpose of this and the following articles is to provide a few (hopefully helpful) answers to a number of questions troubling the users of personal computers. Let it be made clear from the very beginning that I claim to be no qualified technician, nor comfortable enough with the more complex workings of the Infernal Machine so as to assume responsibility for any misunderstanding or erroneous use of the information given below.

Literature in Translation

An introduction

Translation is more than the mere issue of a mental process. It is both an intellectual enterprise and a physical task. Things become even more difficult when having to deal with a literary text: literature has its own determining features, and language, the instrument of its expression, is a self-sufficient living system in which every presupposition of perfection has been fulfilled. The risks a translator is obliged to take in this case are much similar to those taken by a surgeon who performs a delicate operation: although the result may perfectly be accomplished under conditions of utmost conscientiousness and knowledge, nothing can guarantee that the patient will eventually survive. In fact, a literary text rarely manages to survive without any more or less serious damages when transferred from one language into another. The task is excessively hazardous; skill in manipulating written speech is as essential as profound linguistic intuition and instruction; a wide spectrum of academic information is as indispensable as personal sensitivity to the subject one is occupied with.