"Moss of utopia" is a metaphor used by Odysseus Elytis in the section of his epic work The Axion Esti (What Is Worthy, 1959) dedicated to young women, whom he goes on to describe as "the deluded Pleiades" and "the Vessels of Mysteries, full to the brim yet bottomless".
A black mirror is an instrument of magical practice. Opaque and unsettling, rather than reflecting the outward reality, it forces anyone who looks into it to acknowledge their own, internal truth, the deepest, unknown darkness of their soul.
On YouTube's page of our very own Down to Earth video (Public Digital Festival 2010 entry) you may see a message saying that it contains material from an entity called IODA.
A somewhat Angeresque visual collage, made with edited and compiled Public Domain material from The Prelinger Archive. Music: Lost Galaxy by Dead Admiral (from the album Of Spirits & All Flesh, 2010). Vimeo Festival & Awards 2012 entry, in the Remix category.
In a world where the ease and safety of ephemeral standards imposes a more and more alarming uniformity in artistic expression, inspiration drawn from purer, time-resisting sources can make a notable difference. South Korea based singer/songwriter Tim Haagenson (T-Ho) from Minneapolis proves that when stylistic "loans" and influences from the past are dexterously molded into a modern perspective, they can play a crucial part in the creation of a personal signature.
A composer of prodigious talent and impressive musical inventiveness, Nehoryn offers a "retrospective" of his earlier compositions in a 12-track collection by the eloquent title of Memory's Garden. It is always exciting to observe how an artist's work has evolved with time, what elements and influences determined its development, which of them were left behind for good and which were the crucial ones to remain and mature into something even richer and more accomplished.
An appetising single of ambient electro, inviting us to a voyage of the heart and the spirit; the melodic lines, percussions/drums and sound effects form a universe of stark beauty, soothing for the ear and purifying for the soul.
Vermillia is one of those one-of-a-kind artists who pursue their own vision regardless of genres and classifications. A musical as well as visual concept - concise collections of intensely evocative instrumentals, with very pretty hand drawn covers that depict Anime style female figures and faces.
An odd, haunted waltz suspended in mid-air through the mist. A slow oriental melody snaking its way along a lazy counterpoint of percussions and bassline. A fragmented, intoxicated march flirting with languorous violins.
A delicate mermaid choir, electric guitars, synth and an ostinato drum groove echoing the rhythm in Ravel's Bolero: the eponymous opening track of Urzhia-Kan's second album, Atlantik, promises an engaging and adventurous musical experience.
